Monthly Archives: November 2014

AHRC funding for UK/EU arts and humanities research students

The Midlands3Cities Doctoral Training Partnership will be awarding 410 PhD studentships over a five year period to excellent research students in the arts and humanities. The DTP, a collaboration between the universities of Nottingham, Nottingham Trent, Leicester, De Montfort, Birmingham and Birmingham City, provides research candidates with cross-institutional mentoring, expert supervision including cross-institutional supervision where appropriate, subject specific and generic training, and professional support in preparing for a career.

The University of Nottingham School of Cultures Languages and Area Studies is inviting applications from students whose research interests include:

  • Film and Television Studies
  • Cultural Studies and Critical Theory
  • American and Canadian Studies
  • Comparative Literature
  • French Language & Culture
  • German Language & Culture
  • Iberian & Latin American Language & Culture
  • Russian, Slavonic & Eastern European Language & Culture
  • Translation Studies

The deadline for AHRC funding applications is 9 January 2014, by which time students must have applied for a place to study and have provided two references to a university within the DTP. For full details of eligibility, funding and research supervision areas, please visit www.midlands3cities.ac.uk or contact enquiries@midlands3cities.ac.uk .

 

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De Montfort University Cinema and Television History (CATH) Research Centre News

Hammer horror archive opens to public for first time

Christopher Lee as Count Dracula in The Satanic Rites of Dracula (1973) - Leicester Hammer Horror ArchiveChristopher Lee as Count Dracula in The Satanic Rites of Dracula (1973)

A university that holds the largest collection of Hammer horror memorabilia is to open its archives to the public for the first time.

More than 240 original horror scripts from the Hammer film production company are held at De Montfort University’s Cinema And Television History (CATH) Research Centre in Leicester.

Steve Chibnall, director of the centre and professor of British Cinema, said: “When I was growing up, Hammer and horror were virtually synonymous, and seeing one of their films was a rite of passage into adulthood.

“Of course, they liked to sail as close to the wind as possible as far as the censor was concerned, but their products were memorable and influential internationally, and have now been recognised as Britain’s most important contribution to fantasy cinema.”

Ingrid Pitt from The Vampire Lovers (1970) - Leicester Hammer Horror ArchiveIngrid Pitt from The Vampire Lovers (1970)

Hammer became known for its gothic horror films from the mid-1950s to the 1970s, which saw the birth of iconic characters such as Frankenstein’s monster, Dracula and the Mummy.

De Montfort University was made custodian of the archive in 2012 and has continued to add to its collection.

Leicester Hammer Horror ArchiveThe memorabilia includes Hammer playing cards

Dr Matt Jones, the university’s lecturer in cinema and television history, said: “There’s all sorts of unmade scripts and different versions of scripts, and it’s certainly the most complete collection of Hammer horror material that’s available.

“There’s a real wealth of material here for Hammer historians.”

Scene from The Devil Rides Out (1968) - Leicester Hammer Horror ArchiveThe Devil Rides Out (1968)

The archive includes hundreds of scripts for well-known films such as Devil Rides Out, Demons of the Mind, Twins of Evil and for films that were never made, including Dracula: The Beginning.

It also holds books, articles, images used in the original film posters and collectible items, such as Hammer playing cards.

A scene from The Quatermass Experiment (1955) - Leicester Hammer Horror ArchiveA scene from The Quatermass Experiment (1955)

Associate lecturer at the university, Laura Mee, said: “Their films feature a significant number of iconic characters so really represent that old gothic British cinema that really proved popular in the 50s into the 60s.

“They are entertaining and great fun to watch for a contemporary audience.”

Steve ChibnallThe centre holds the only archive of all the scripts for every Hammer horror film ever made

Hammer’s archivist Robert Simpson oversaw the collection and transfer of the material, formally handing over the first of the script boxes to Professor Chibnall in February 2012.

A mug and postcardsHammer Horror merchandise included postcards and mugs

Members of the public can have a look around the university’s archive from 15:00 GMT on 5 November as part of its launch of the Leicester Media School.

Hammer Horror magazinesA series of Hammer Horror magazines was published by Marvel

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